Simon Rankin
Sakumzi Lucky Mkontwana
Robyn Teri Jansen
Kerry Mae Joshua
From returning drama series to fight-unit continuity and commercial campaigns.
Bronwyn de Beer’s script supervision work combines returning drama series with action and fight-unit continuity. Her credits include 1923 with directors Ben Richardson and Guy Ferland, and The Wheel of Time Season 3 with Ciaran Donnelly, Thomas Napper and Marta Cunningham. She has worked across three seasons of Warrior in second-unit, fight-unit and main-unit double-banking roles, with producers including Angela Phillips and Richard Sharkey.
Her more recent work includes Boyz Trip for Tubi and Blue Ice Africa, with director Kyle Scott and producer Autumn Bailey Ford. Other Blue Ice Africa credits include Buzzkill and Vagrant Queen, both directed by Jem Garrard. Bronwyn’s range also extends to script editing on Silverton Siege and combined script/VFX supervision on Vtama and Mercedes commercials.
Long Form
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa | Tubi
Director: Kyle Scott
Producer: Autumn Bailey Ford
Paramount Pictures
Directors: Ben Richardson / Guy Ferland
Producers: Taylor Sheridan / Michael Friedman
Film Afrika
Directors: Ciaran Donnelly / Thomas Napper / Marta Cunningham
Producer / LP: Vanessa Haupt
Pulse Films | Sky
Director: Shariff Korver
Producer / LP: Peter McAleese
Beehive | Paperclip
Director: Adam Rehmeier
Producers: Yeardley Smith / Jordan Foley
Giant Films
Directors: Ian Gabriel / Gabe Gabriel
Production manager: Kate Schalk
Blue Ice Africa | Tubi
Director: Jem Garrard
Producers: Josh van Houdt / Adam Friedlander
Blue Ice Africa | Syfy
Director: Jem Garrard
Producer / LP: Adam Friedlander
Film Afrika | Slim Film + Television
Directors: Steve Barron / Charles Beeson / Brian Kelly
Producers: Jayson de Rosner / Peter McAleese
Pambilli Media | Netflix
Script Supervisor & Script Editor | Dir: Mandla Dube
Producers: W. S. Ayres / Michael Games
Moonlighting | Constantin | Disney
Director: Ashley Avis
Producers: Jeremy Bolt / Lynne-Anne Vosloo
Sketchbook Studios
Director: Ari Kruger
Producer / LP: Greer Hoeks
Cinesite | Netflix
Directors: Christopher Clark Cowan / Jeremy Webb
Producers: Lauren Schmidt-Hissrich / Steve Gaub
Moonlighting Films | HBO
Director: Brett Chan
Producers: Angela Phillips / Richard Sharkey
Moonlighting Films
Director: Dawid Szatarski
Producers: Simon Swart / Alex Lebovici
MBC Universal
Director: Rupert Wyatt
Producers: Jeremy Bolt / Eric Hedayat
Local Motion Pictures
Director: Patricia Riggin
Producer / LP: Janine van Assen
Blue Ice Africa | 20th Century Fox
Director: Silas Howard
Producer / LP: Adam Friedlander
Aparna Jayachandran’s script supervision career includes three seasons of Warrior, working with directors such as Loni Peristere and David Petrarca and line producer Angela Phillips. Her feature credits include Gore Verbinski’s Good Luck, Have Fun, Don’t Die, Kevin Macdonald’s The Mauritanian and Phillip Noyce’s The Giver. Recent work includes The Man Who Stole Portugal with Thomas Napper and line producer Marcelle du Toit.
Her credits also include recurring work with producers and line producers such as Janine van Assen, Dianne Beatty and Darren Cameron. Alongside features and episodic drama, Aparna handles continuity and script supervision for international commercials, including campaigns for KFC, Pepsi, Dove, Molson and Starbucks. Earlier second-unit work on Safe House and The Borrowers adds another strand to a career spanning more than 15 years.
Long Form
Long Form
Commercials
Long Form
Commercials
Moonlighting Films
Director: Gore Verbinski
Line producer: Megan Korzynski
Stage 5 Films
Director: Thomas Napper
Line producer: Marcelle du Toit
Moonlighting Films | Cinemax / HBO
Directors: Loni Peristere / David Petrarca
Line producer: Angela Phillips
Wolflight Films
Director: Will Seefried
Line producer: Kate Schalk
Moonlighting Films
Director: Kevin Macdonald
Line producer: Andrea Pienaar
Moonlighting | The Weinstein Company
Director: Phillip Noyce
Line producer: Janine van Assen
Moonlighting Films | Showtime
Director: Lesli Linka Glatter
Line producer: Angela Phillips
Film Afrika | Videovision Entertainment
Director: Justin Chadwick
Producer: Anant Singh
Film Afrika
Directors: Neasa Hardiman / Shannon Murphy
Producers: David Higginson / Tina Oswald
Stage 5 Films | AMG International Film
Director: Julian Jarrold
Producer: Michael Elliott
Blue Ice Africa | BBC
Director: Claire Winyard
Line producer: Samantha Putter
Film Afrika | BBC
Director: Owen Harris
Line producer: Dianne Beatty
Moonlighting Films | Universal Pictures
Director: Daniel Espinosa
Line producer: Janine van Assen
Moonlighting | River Road Entertainment
Director: Sean Penn
Line producer: Janine van Assen
Blue Ice Africa
Script supervision – dailies
Line producer: Darren Cameron
Orange Films
Continuity / Script Supervisor
Producer / PM: Brad Logan
The Network
Continuity / Script Supervisor
Producer / PM: Chloe Zondagh
Gatehouse Commercials
Continuity / Script Supervisor
Producers / PMs: Laila Shrand / Megan Baker
Stephane Gibourdel is a French 1st Assistant Director who works in English, French and Spanish. His long-form credits connect French-language television, documentary work and feature films: La Poursuite du Vent with Nina Companeez, Locked Up Abroad with Kim Flitcroft, and Azaan with Prashant Chadha. He has also worked in production management on Imani Niger, directed by Eddie Edwards.
Returning commercial work is a strong thread in Stephane’s career, including KID campaigns with Bird Films across several years. His AD credits also span Toyota Urban Cruiser, TENA, N26, Le Chouffe, adidas and Louis Vuitton, alongside music videos for Becky Hill, Sigala and Vegedream. His production company experience includes Film Afrika, Moonlighting Films, Nomad Production House and Ola Films.
Long Form
Long Form
Commercials
Long Form
Commercials
Film Afrika
1st Assistant Director
Director: Nina Companeez
Film Afrika
1st Assistant Director
Director: Kim Flitcroft
Film Afrika
1st Assistant Director
Director: Marc Mopty
Moonlighting Films
1st Assistant Director
Director: Daniel Serre
Made in Africa
1st Assistant Director
Director: Hein de Vos
Kingdon Productions
1st Assistant Director
Director: Prashant Chadha
Pistoleros Films
1st Assistant Director
Producer / PM: Don Lee Taicher
Hintza Films
1st Assistant Director
Director: Annie Basson
Real Eyes
1st Assistant Director
Director: Ozzie von Richtofen
Launch Factory
Production Manager
Director: Eddie Edwards
First Pencil Productions
Assistant Director | Commercial
Production manager: Paul Harker
Nomad Production House
Assistant Director | Commercial
Producer: Damon MacDonald
Artists & Legends
Assistant Director | Commercial
Production manager: Deborah Bacher
Orange Films
Assistant Director | Commercial
Production manager: Vanessa Alsop
Fell & Company
Assistant Director | Commercial
Production manager: Rox Truther
The Cavalry Creative
Assistant Director | Music Video
Production manager: Lolu Ncukana
Bird Films
Assistant Director | Commercial
Production manager: Tess Tambourlas
First Productions
Assistant Director | Commercial
Producer: Melanie Bold
Candice Smith’s work brings scheduling and the running of a set together. As a 1st AD and scheduler, she has returned to work with Ryan Kruger on Street Trash, Flim Flam and Method Madness, and with Hanneke Schutte on Meerkat Maantuig and Liminale. Those returning collaborations sit alongside 1st AD credits on Mandla Dube’s Bisesero and Sue Tully’s Lethal White.
Her experience across the AD department includes prep 2nd AD on King Shaka, 2nd AD on Shaka iLembe and crowd 2nd AD on The Crown. In commercials, she has worked as 1st AD on campaigns for Nedbank, FNB, Nescafé and DStv, as well as Vabysmo with producer Damon MacDonald and MB – SoMe with producer Brad Logan.
Long Form
Commercials
Long Form
Commercials
Bisesero Film Project
1st Assistant Director
Director: Mandla Dube
Enigma Ace Films
1st Assistant Director / Scheduler
Director: Ryan Kruger
Enigma Ace Films
1st Assistant Director / Scheduler
Director: Ryan Kruger
Stage 5
1st Assistant Director / Scheduler
Director: Ryan Kruger
Diprente Productions
1st Assistant Director / Scheduler
Director: Karabo Lediga
Silwer Skerm
1st Assistant Director / Scheduler
Director: Hanneke Schutte
Film Factory
1st Assistant Director / Scheduler
Director: Hanneke Schutte
Storyscope Media
1st Assistant Director / Scheduler
Director: Monde Gumede
Stage 5
1st Assistant Director / Scheduler
Director: Sibusiso Shongwe-La Mer
Nou Vanaand Films
1st Assistant Director / Scheduler
Director: Beer Adriaanse
Bronte Film & TV
1st Assistant Director
Director: Sue Tully
Quizzical Pictures
1st Assistant Director / Scheduler
Director: Beautie Masvaure Alt
Stage 5
Initial Scheduler / 2nd Assistant Director
Director: Mitch Jenkins
Film Afrika
Prep 2nd Assistant Director
Directors: Seith Mann / Erica Watson
Bomb Productions
2nd Assistant Director
Directors: Angus Gibson / Adze Ugah / Zeno Petersen
Left Bank Pictures
Crowd 2nd Assistant Director
Director: Stephen Daldry
Nomad Production House
1st Assistant Director
Producer: Damon MacDonald
Orange Films
1st Assistant Director
Producer: Brad Logan
Alwyn van den Heever’s 1st AD career has a strong South Africa–Mauritius connection, built through recurring work with Two Oceans Productions on international features and television. His credits include Deutschland 86 with Florian Cossen, several Island Doctor productions, and Sniper: The Last Stand with director Danishka Esterhazy.
Alwyn’s experience also covers scheduling as 1st AD on Young Gun, production management on Black Sails Season 4 and Modder en Bloed, and line producing four Perplexia titles. This wider production background sits alongside second-unit AD and extras casting work on Laconia and Mission Crane, plus commercial campaigns for Cartier, Huawei, Air Up and Pampers.
Long Form
Long Form
Commercials
Long Form
Commercials
BIA 12 Productions
1st Assistant Director
Director: Danishka Esterhazy
Two Oceans Productions
1st Assistant Director
Director: Florian Cossen
Lan Films | Red Mirror (Mauritius)
1st Assistant Director
Director: Sallas de Jager
Two Oceans Productions (Mauritius)
1st Assistant Director
Director: Peter Stauch
Two Oceans Productions (Mauritius)
1st Assistant Director
Director: Michael Karen
Dark Matter Studios
Scheduling 1st Assistant Director
Director: Henk Pretorius
Dark Matter Studios
1st Assistant Director
Director: Henk Pretorius
Two Oceans Productions
1st Assistant Director
Director: Florian David Fitz
Two Oceans Productions
1st Assistant Director
Director: Claudio Fäh
Two Oceans Productions
1st Assistant Director
Director: Roland Suso Richter
Lisa Film | Kashba Films
1st Assistant Director
Director: Sigi Rothemund
Film Afrika
Production Manager
Television series
Two Oceans Productions | Teamworx
2nd-unit 1st AD / Extras Casting Director
Director: Uwe Janson
Two Oceans Productions | Perplexia Films
Line Producer
Perplexia production
Lankrad Pictures
1st Assistant Director | Commercial
DOP: Marcel Anke
Identical Pictures (Mauritius)
1st Assistant Director
Commercial
Thulani Mashiyane has stepped into Gaffer roles on Taktiek 2, Hen and Landmyn with Nagvlug Films, following years in lighting crews on local and international productions. His Best Boy Gaffer work includes Huntington with Lesley Manuel and Sniper: The Last Stand, African Queens, Devil’s Peak and Wild Is the Wind with Brent Sauls.
That progression also runs through his short-form work, with Gaffer credits on Garnier, Future Tense and A Matter of Principle alongside a substantial commercial background as Best Boy Gaffer. Thulani continues to work across on-set lighting and rigging, with recent Rigging Spark assignments on Monsanto, Sniper 12 and the Zoan Unit of Project Arcadia.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Nagvlug Films
Gaffer
Nagvlug Films
Gaffer
Nagvlug Films
Gaffer
Blue Ice Africa
Best Boy Gaffer
Blue Ice Africa
Best Boy Gaffer
Film Afrika
Best Boy Gaffer
Film Afrika
Best Boy Gaffer
Moonlighting Films
Best Boy Gaffer
Film Afrika
Rigging Spark
Topfilm 320
Rigging Spark
Blue Ice Africa
Rigging Spark
Out of Africa | Amazon Studios
Spark
Moonlighting Films | Cinemax
Spark – including Fight Unit
Outpost Films
Gaffer
Bench Films
Gaffer
Robot
Gaffer
Moonlighting Commercials
Best Boy Gaffer
Freckle Agency
Best Boy Gaffer
South African television drama, international rigging and a broad commercial lighting portfolio.
From three seasons of The River to Nikiwe and Durban Gen, Mo Lesunyane has built much of his Gaffer career in South African television. His drama credits also include Mzali Wami and 14 Weeks Finding Mr Right. More recent work adds Rigging Gaffer assignments on The Terminal List Season 2 and Bad Influences.
Mo’s commercial portfolio spans household brands, financial services and retail, with Gaffer work for Sunlight, Old Mutual, PEP, Capital Legacy and Edgars. His film and television background also includes Rigging Gaffer / Best Boy Gaffer work on Machine Gun Preacher, and second-unit Gaffer dailies on Madiba and Rebellie van Lafras Verwey.
Long Form
Long Form
Long Form
Commercials
Long Form
Commercials
Local Motion Pictures | Prime Video
Rigging Gaffer
Gambit Films
Rigging Gaffer
Tshedza Media
Gaffer
Parental Advisory Services
Gaffer
Stained Glass
Gaffer
Brain at Work
Gaffer
Film Factory
Gaffer
Penguin Films
Gaffer
Born Free Media
Gaffer
Secret World Sure Trade
Gaffer – second-unit dailies
Moonlighting Films
Gaffer – second-unit dailies
Moonlighting Films
Rigging Gaffer / Best Boy Gaffer
One Brave | Netflix
Best Boy Gaffer
Montage Online
Best Boy Gaffer
OSU Creative Production
Gaffer
Together Films
Gaffer
Hogarth
Gaffer
Milk & Sugar
Gaffer
Lucas Manielle’s recent Gaffer work includes Rules of the Underworld, This Land and the second season of 911: Did the Killer Call?, alongside South African series Spooksoeker. His long-running working relationship with Danny Smart is another thread through his career, with Best Boy Gaffer credits on Walter, Philly Mafia, London Calling and Lilies Not for Me.
Lucas also moves between Gaffer and Best Boy Gaffer roles in commercials. He has led lighting on Elefanten, Souk and Environ Rad Active, and worked in both roles on Nicorette and KFC campaigns. Earlier feature credits include Monster Hunter, Maze Runner: The Death Cure and The Dark Tower, giving his current Gaffer work a background in large-scale film lighting.
Long Form
Long Form
Commercials
Long Form
Long Form
Commercials
Reflection Point Productions
Gaffer
Reflection Point Productions
Gaffer
Reflection Point Productions
Gaffer
Starscape Motion Pictures
Gaffer
Film Afrika | Skydance
Best Boy Gaffer
Trilogy Creative Studios
Best Boy Gaffer
Mannequin Pictures
Best Boy Gaffer
Wolflight Films
Best Boy Gaffer
Crave Pictures
Best Boy Gaffer
Silverton Siege | Netflix
Best Boy Gaffer
Moonlighting Films
Best Boy Gaffer
Out of Africa
Best Boy Gaffer
Blue Ice Africa
Best Boy Gaffer
Blue Ice Africa
Rigging Spark
Ceremony of Attention
Gaffer
Create SA
Gaffer
Farm Films
Gaffer / Best Boy Gaffer
Mr Film
Gaffer / Best Boy Gaffer
Lesley Manuel has developed a notably versatile lighting career across gaffing, rigging and second-unit work. His credits range from leading the lighting team on Mowgli: Legend of the Jungle, The Dark Tower and Good Omens to specialist assignments on The Gunman, The Red Tent and Raised by Wolves Season 2.
That breadth allows Lesley to move comfortably between large international features, episodic television and fast-paced commercial sets. He brings a practical understanding of complex lighting and rigging requirements, supported by long-standing relationships with experienced Directors and Directors of Photography.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
First Years
Gaffer
Blue Ice Africa
Gaffer
Blue Ice Africa
Gaffer
Moonlighting Films | Cinemax / HBO
Gaffer – fight unit
Film Afrika | HBO Max
Gaffer – second unit
Moonlighting Films
Gaffer – second unit
Film Afrika
Gaffer
Moonlighting Films | Columbia Pictures
Gaffer – second unit
Out of Africa Entertainment | BBC
Gaffer
Out of Africa Entertainment | BBC
Gaffer
Moonlighting Films | Columbia Pictures
Gaffer
Moonlighting Films | Warner Bros.
Gaffer
Moonlighting Films | ABC Studios
Gaffer
Moonlighting Films | StudioCanal
Rigging Gaffer
Kasbah Films | Sony Pictures Television
Rigging Gaffer
Out of Africa Entertainment | BBC
Gaffer
Moonlighting Films | Universal 1440 Entertainment
Gaffer
Igshaan Mohamed’s Gaffer work ranges from Disney Cookabout and Showville to Locked Up Abroad and the feature Wonderbroeders. His career also includes international assignments with Bahrain Drone Studios, while more recent credits include Ekodus, pickup work on The Fix and Gaffer dailies on King Shaka.
Commercial lighting is a substantial part of Igshaan’s career, with Gaffer credits for YSL Skin Affair, Jockey, Burger King, Adidas and YouTube. He has also worked as Rigging Gaffer on Samsung and as Best Boy Gaffer on Last Day in Paradise, Black Sails Season 2 and Maze Runner’s second unit.
Long Form
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
17 Filmstreet Media
Gaffer
Crave Pictures
Gaffer – pickups
Film Afrika
Gaffer – dailies
Penguin Films
Gaffer
Okuhle Media
Gaffer
Trilogy Creative Studios
Gaffer
Enigma Pictures
Gaffer
Nouvanaand Films
Gaffer
Film Afrika
Best Boy Gaffer
Film Afrika
Best Boy Gaffer
Out of Africa
Best Boy Gaffer – second unit
Trilogy Creative Studios
Best Boy Gaffer
Migrate Pictures
Rigging Gaffer
Moonlighting Commercials
Gaffer
Cool Bananas
Gaffer
7 Films
Gaffer
The Video Cartel
Gaffer
The Video Cartel
Gaffer
Long-form and commercial lighting experience across international features, television series, second units and major advertising campaigns.
Desmond Gqitekaya has built his lighting career across feature films, television series and commercials, progressing from Best Boy Gaffer on productions such as Bloodshot and Black Beauty to leading the lighting department as Gaffer on One Piece Season 2, Beast, Raised by Wolves and Warrior.
His experience combines the scale and discipline of international long-form productions with the pace and visual precision of commercial work. Desmond has developed strong working relationships with a wide range of Directors of Photography and production companies, bringing calm, practical lighting leadership to set.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
FMK Studios
Gaffer
Blue Ice Africa
Gaffer
Life Size Productions
Gaffer
Wolflight Films
Gaffer
Miss K Productions
Gaffer
BTG Productions
Gaffer
Film Afrika | Netflix
Gaffer
Film Afrika | Netflix
Gaffer
Film Afrika
Gaffer – second unit
Film Afrika | Netflix
2nd Chief of Lighting
Moonlighting Films
Gaffer
Film Afrika
Gaffer
Moonlighting Films
Gaffer
Film Afrika
Gaffer
Moonlighting Films
Gaffer
Out of Afrika
Best Boy Gaffer
Out of Afrika
Best Boy Gaffer
Out of Afrika
Gaffer
Denzil Lesch combines junior gaffing with an extensive commercial best boy portfolio, rigging and on-set lighting work for film and television. His long-form credits include Best Boy Gaffer on Ultimate Braai Master Season 7 and Doctor Who, plus dailies on Warrior’s main and fight units. He worked as Junior Gaffer on Bird Boy, with rigging assignments on The Terminal List Season 2 and Novocaine dailies.
His commercial work includes repeated best boy collaborations with Igshaan Mohamed on Allen Solly, VW Phase 2 and Jockey, and with Tyrone Mountjoy on Woolworths campaigns. Recent Best Boy Gaffer credits also include Aldi, Auvelity, and Montego and Lekkerslaap. Denzil’s wider lighting experience takes in 1923, Black Sails and dailies on Children of Blood and Bone.
Long Form
Commercials
Long Form
Long Form
Commercials
Okuhle Media
Best Boy Gaffer
Production manager: Julie Brown
Moonlighting Films
Best Boy Gaffer – Dailies
HOD: JP Hankins
Out of Africa
Best Boy Gaffer
HOD: Nick Rankin
Film Afrika
Best Boy Gaffer – Dailies
HOD: Gilles Boisacq
Kalahari Pictures
Junior Gaffer
HOD: Shane du Plooy
Local Motion Pictures | Prime Video
Rigging Spark
HOD: Phillip Mhlabane
Blue Ice | Paramount Pictures
Rigging Spark – Dailies
HOD: Patric Frislaar
Moonlighting Films | Paramount Pictures
Spark – Dailies
HOD: Oliver Wilter
Film Afrika
Spark
Production manager: Andrew Strachan
Moonlighting Films | Paramount+
Spark
HOD: Jean de Kock
Film Afrika
Spark
HOD: Justin Patterson
Freckle Agency
Best Boy Gaffer
PM / HOD: JP du Preez
Big Sky Productions
Best Boy Gaffer
HOD: Tyrone Mountjoy
Farm Film Productions
Best Boy Gaffer
PM / HOD: Simon Francis
Flamingo Films
Best Boy Gaffer
HOD: Igshaan Mohamed
Grinder Films
Best Boy Gaffer
HOD: Igshaan Mohamed
Kent & Co Productions
Best Boy Gaffer
HOD: Grant Forbes
Orange Films
Best Boy Gaffer
PM / HOD: Simon Francis
Danny Smart’s career spans more than 35 years of lighting work, with a distinctive balance between hands-on Gaffer leadership and specialist Rigging Gaffer expertise. His experience reaches from major franchise films including Resident Evil: The Final Chapter, Maze Runner: The Death Cure and The Dark Tower to recent features, documentary drama and streaming productions.
Danny’s long-form history shows an ability to move between technically demanding rigging builds and full lighting department leadership. He continues to work across both international productions and high-volume commercials, bringing deep practical knowledge, adaptability and decades of trusted on-set experience to each project.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Reflection Point Productions | CNN Originals / HBO Max
Gaffer
Reflection Point Productions | Discovery ID
Gaffer
Film Afrika | Paramount Pictures / Skydance
Gaffer
Trilogy Creative Studios | Netflix
Gaffer
Trilogy Creative Studios | BBC Two / BBC Studios
Gaffer
Trilogy Creative Studios | BBC
Gaffer
Mannequin Pictures | Quiver Distribution
Gaffer
Wolflight Films | Memento International
Gaffer
Pambili Media | Netflix
Gaffer
Blue Ice Africa | Netflix
Rigging Gaffer / Gaffer
Moonlighting Films | Screen Gems / Sony Pictures
Rigging Gaffer
Out of Africa | 20th Century Fox
Rigging Gaffer
Moonlighting Films | Columbia Pictures / Sony Pictures
Rigging Gaffer
Moonlighting Films | Constantin Film / Sony Pictures
Rigging Gaffer
Film Afrika | ITV
Rigging Gaffer
Moonlighting Films | Columbia Pictures / Sony Pictures
Rigging Gaffer
Film Afrika | Syfy
Gaffer
Crave Pictures | Showmax / Gravitas Ventures
Gaffer
Brent Sauls has worked across the lighting department, from trainee electrician and Best Boy to Gaffer and Rigging Gaffer. His Gaffer credits now include Summers’ Last Resort, Last Day in Paradise, Hag and Sniper: The Last Stand, alongside South African stories such as Wild Is the Wind, The Umbrella Men and Griekwastad.
His Rigging Gaffer work on Our Girl Season 3 and Uitvlucht sits alongside earlier international assignments as a Rigging Spark on Star Trek Beyond’s Dubai unit and Senior Technician on The Mummy’s Namibia unit. Brent also has a substantial commercial Gaffer portfolio, with campaigns for ASICS, Adidas, Tom Ford, Primark and Sky Football.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa
Gaffer
Film Afrika
Gaffer
Blue Ice Africa
Gaffer
Blue Ice Africa
Gaffer
Moonlighting Films | Netflix
Gaffer
Moonlighting Films
Gaffer
One Brave One | Netflix
Gaffer
Film Afrika
Gaffer
Film Afrika | M-Net
Gaffer
7 Films
Gaffer
Out of Africa Entertainment
Rigging Gaffer
North South Productions
Rigging Gaffer
Advantage Entertainment
Gaffer – dailies
Film Afrika
Gaffer – dailies
Film Works FZ | Paramount Pictures
Rigging Spark – Dubai unit
Moonlighting Films
Senior Technician – Namibia unit
Gatehouse Commercials
Gaffer
Namib Films
Gaffer
Christopher Hope’s career reaches back to 2002, with hands-on experience across the grip department and a substantial commercial Key Grip portfolio. His Key Grip assignments include Lidl, Corona, Toyota, PEP Home and Woolworths. Alongside that commercial work, he has worked as Dolly Grip on The Wheel of Time Season 3 and the fight unit of Warrior.
Christopher’s long-form career also includes Dolly Grip work on Breathe, The Dark Tower and Maze Runner, and Best Boy Grip assignments on Doctor Who and The Last Post. More recent credits include Best Boy Grip and Key Grip dailies on Take Out, and Best Boy Grip on the action unit of Complete Chaos. His experience spans leading commercial grip work, supporting department heads and handling specialist unit and daily assignments.
Long Form
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa
Best Boy Grip / Key Grip (dailies)
Film Afrika | Prime Video
Dolly Grip
Moonlighting Films | Cinemax / HBO Max
Dolly Grip – fight unit
Moonlighting Films | Sony Pictures
Best Boy Grip – second-unit dailies
Film Afrika | Netflix
Best Boy Grip – action unit
Out of Africa Entertainment | BBC
Best Boy Grip
Film Afrika | BBC
Best Boy Grip
Moonlighting Films
Dolly Grip
Moonlighting Films | Sony Pictures
Dolly Grip
Out of Africa Entertainment
Dolly Grip
Cyclone Films
Key Grip
Monkey Films
Key Grip
Cyclone Films
Key Grip
Hogarth Worldwide
Key Grip
Sparky Films
Key Grip
The Video Cartel | Big Sky Productions
Key Grip
The Video Cartel
Key Grip
Groundglass
Rigging Grip
Returning series are a defining part of Zahir Karriem’s Key Grip career. His credits span Blood & Water Seasons 1 to 4 and Unseen Seasons 1 to 3, alongside Freshmen Season 1. His regular work with DOP Zenn van Zyl runs through both long-form productions and commercials, including campaigns for Checkers, Coca-Cola, Parmalat and FNB.
Zahir also brings a substantial dolly and rigging background to his work. His Dolly Grip credits include Tomb Raider, Bloodshot, Outlander and Warrior, while The Empty Man and the Gilbert unit of Black Sails Season 4 feature among his rigging assignments. With Key Grip credits on Beauty, Indemnity and Wild Is the Wind, his experience covers South African feature filmmaking as well as international productions.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
First Years (Pty) Ltd
Key Grip
Gambit Films
Key Grip
Gambit Films | Netflix
Key Grip
Moonlighting Films
Key Grip
Indemnity Films
Key Grip
Moonlighting Films | Swift Productions
Key Grip
Advantage Entertainment | Kindle Entertainment
Key Grip
Skeem Saam Productions
Key Grip
Moonlighting Films
Key Grip – dailies
Film Afrika | Bold Films
Key Grip – dailies
Moonlighting Films | Sony Pictures
Dolly Grip
Moonlighting Films | Cinemax
Dolly Grip
Moonlighting Films | MGM
Dolly Grip
Film Afrika | Left Bank Pictures
Dolly Grip
Out of Africa Entertainment | BRON Studios
Dolly Grip
Film Afrika | Fundamental Films
Dolly Grip – dailies
Out of Africa Entertainment | Boom! Studios
Rigging Grip
Film Afrika | Platinum Dunes
Rigging Grip – Gilbert unit
Storm Williamson’s Key Grip and Ronin work has a strong action-unit focus. With more than 20 years in film, his experience includes leading grip work on the One Piece Season 2 and Season 3 stunts/action units, Key Grip on The Woman King’s second unit, and Key Grip / Ronin Technician on Warrior’s fight unit. These assignments place camera movement at the centre of his work.
Storm also moves between feature-film grip leadership and specialist commercial assignments. His credits include Bloodshot, Hag, Match and Take Out, while his commercial work ranges from Ronin Technician on AWS to rigging on ENBD Banking and Formula E2. Crane operation and tracking-camera experience add to the practical skills he brings to a production.
Long Form
Long Form
Long Form
Commercials
Long Form
Commercials
Film Afrika | Netflix
Key Grip – stunts / action unit
Film Afrika | Netflix
Key Grip – stunts / action unit
Blue Ice Africa
Key Grip
Blue Ice Africa
Key Grip
Blue Ice Africa
Key Grip
Blue Ice Africa
Key Grip
Film Afrika | Netflix
Key Grip – second unit
Moonlighting Films | Sony Pictures
Key Grip – second unit
Moonlighting Films | Cinemax / HBO Max
Key Grip / Ronin Tech – fight unit
Film Afrika | Warner Bros.
Key Grip – action unit
Film Afrika | HBO Max
Key Grip – double banking / second unit
Moonlighting Films | Sony Pictures
Key Grip
Moonlighting Films | Disney+
Key Grip / Dolly Grip
Local Motion Pictures | Prime Video
Crane / Dolly Grip
Film Afrika | BBC One
Key Grip
Farm Films
Ronin Technician
Moonlighting Commercials
Rigging Grip
Patriot Films
Rigging Grip
Mark Davidson’s grip career has taken him from Bulgarian feature sets to major international productions filmed in South Africa. His Key Grip credits include Good Omens, The Looming Tower, A United Kingdom and The Siege of Jadotville, with second-unit Key Grip work on District 9 and 10,000 BC.
Mark’s commercial work includes collaborations with cinematographers Hoyte van Hoytema, Jeff Cronenweth, Colin Watkinson and Franz Lustig. His experience also extends to Dolly Grip on The Contract in Bulgaria and grip work on The Interpreter in Mozambique. Alongside his camera support experience, Mark has training in production safety, working at height and fall arrest.
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa
Key Grip
Amazon | BBC
Key Grip
BBC
Key Grip
BBC
Key Grip – one episode
Hulu
Key Grip
Out of Africa | Netflix
Key Grip
Fox
Key Grip
Netflix
Key Grip
Blue Ice Africa
Key Grip
Kalahari Pictures
Key Grip – second unit
Moonlighting Films
Key Grip – second unit
Zen HQ
Key Grip
Millennium Films
Key Grip – Bulgaria
Millennium
Dolly Grip – Bulgaria
Moonlighting Films
Grip – Mozambique
Gatehouse Commercials
Key Grip
Romance Films
Key Grip
Rocket Films
Key Grip
From South African drama to international series, commercials and specialist rigging work.
Isaac Bekezela Ndlovu moves between the worlds of South African drama and international film and television. His work on The Wife and Raised by Wolves Season 2 spans Key Grip and Best Boy Grip roles, while Spooksoekers Season 1 adds Junior Key Grip experience. He has also worked as Best Boy Grip on Heart of the Hunter, Silverton Siege and London Calling.
Commercials bring another side of Isaac’s experience into focus: Key Grip work for Sanlam and Max Fashion, combined Key Grip and Best Boy Grip assignments for KFC and Uber One, and Junior Key Grip work for Dacia and Eurojackpot. His rigging credits include Oral-B and Bolt, alongside camera rigging for Vitality. He speaks English, Zulu and Xhosa.
Long Form
Commercials
Long Form
Commercials
Starscape Motion Pictures
Junior Key Grip
Stained Glass
Key Grip / Best Boy Grip
Film Afrika
Key Grip / Best Boy Grip
Film Afrika
Best Boy Grip
Moonlighting Films
Best Boy Grip
First Pencil Productions
Best Boy Grip
Silverton Siege (Pty) Ltd
Best Boy Grip
Mannequin Pictures
Best Boy Grip
Wolflight Films
Best Boy Grip
Moonlighting Films
Best Boy Grip – dailies
Scene 23
Best Boy Grip
Moonlighting Films
Best Boy Rigging Grip – double banking
Carbon Films
Key Grip / Best Boy Grip
Cool Banana
Key Grip
Giant Films
Key Grip
Moonlighting Commercials
Junior Key Grip
Ola
Rigging Grip
Patriot Films
Camera Rigger
Henri Marais’s film career connects the action of Mad Max: Fury Road with the controlled tension of Eye in the Sky and the imagined world of The Giver. His Key Grip credits on these productions sit alongside Resident Evil: The Final Chapter, Grimsby and G20, giving him a substantial body of work across very different styles of filmmaking.
Specialist unit work is another thread in Henri’s career: he has worked as second-unit Key Grip on Bloodshot and Now You See Me 3, splinter-unit Key Grip on Warrior, and Key Rigging Grip on Escape Room 2. Between long-form productions, his commercial work has included Pepsi, Sky Football, Aramco, BMW and S. Oliver. His credits show a sustained working relationship with Moonlighting Films alongside a wider network of production companies.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Stage 5 Films
Key Grip
Local Motion Pictures
Key Grip
Lionsgate
Key Grip – second unit
Blue Ice Africa
Rigging Grip
Moonlighting Films
Key Grip
Moonlighting Films
Key Grip – double banking
Moonlighting Films
Key Rigging Grip
Moonlighting Films | Universal 1440
Key Grip
Moonlighting Films | Sony Pictures
Key Grip – second unit
Moonlighting Films | Left Bank Pictures
Key Grip
Moonlighting Films | Columbia Pictures
Key Grip
Moonlighting Films | Cinemax
Key Grip – splinter unit
Out of Africa Entertainment | Boom! Studios
Key Grip
Moonlighting Films | Constantin Film
Key Grip
Moonlighting Films | Entertainment One
Key Grip
Moonlighting Films | Columbia Pictures
Key Grip
Moonlighting Films | The Weinstein Company
Key Grip
Moonlighting Films | Warner Bros. Pictures
Key Grip
Garth Scott has built a substantial Best Boy Grip career through repeat collaborations with Key Grips Storm Williamson and Henri Marais. Recent credits include Hag, Match and Take Out with Blue Ice Africa, and Project Arcadia with Film Afrika. His earlier Best Boy Grip work includes Mowgli: Legend of the Jungle, Escape Room and 1923.
Garth also works as a Key Grip, with credits on Ander Mens and commercials for BMW, Staysure, State Street and Deichmann. His dolly work includes Bloodshot’s second unit, Origin and second-unit dailies on Children of Blood & Bone. He has also worked as a rigger on Warrior Season 2 and as Rigging Grip on Logitech, adding specialist camera support experience to his Key Grip and Best Boy Grip work.
Long Form
Long Form
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa
Best Boy Grip
Blue Ice Africa
Best Boy Grip
Blue Ice Africa
Best Boy Grip
Film Afrika
Best Boy Grip
Moonlighting Films | Warner Bros.
Best Boy Grip
Moonlighting Films | Paramount+
Best Boy Grip
Moonlighting Films | Cinemax / HBO Max
Best Boy Grip – fight unit
Moonlighting Films
Best Boy Grip – double banking
Moonlighting Films | Sony Pictures
Best Boy Grip – second unit
Marche Media
Key Grip
Moonlighting Films | Sony Pictures
Dolly Grip – second unit
Moonlighting Films
Dolly Grip – second-unit dailies
Moonlighting Films | Left Bank Pictures
Dolly Grip
Moonlighting Films | Columbia Pictures
Best Boy Grip
Groundglass
Key Grip
Migrate Film Co.
Key Grip
Migrate Films
Key Grip
North South Productions
Key Grip
Commercials are a substantial part of Eric Lolo’s story as a Key Grip. His credits span fashion, automotive, food and technology campaigns for brands including Woolworths, Ford, Primark, DoorDash and Samsung. Alongside that advertising work, he has built a feature and television career with Key Grip credits on The Fix, Devil’s Peak and Hammarskjöld.
Camera movement is another thread through Eric’s work: Dolly Grip on Monster Hunter, Maze Runner: The Death Cure and Raised by Wolves, and Dolly Grip / Rigging Grip on Warrior Season 2. His One Piece assignments include Key Grip dailies on Season 1 and Technocrane Grip pick-ups on Season 2, adding specialist camera-support experience to his department-lead work.
Commercials
Long Form
Commercials
Long Form
Commercials
Long Form
Scene 23
Key Grip – dailies
The Trek Movie
Key Grip – pick-ups
Media24
Key Grip
Film Afrika | Netflix
Technocrane Grip – pick-ups
Netflix
Key Grip – dailies
Film Afrika | Netflix
Key Grip – dailies
Film Afrika | M-Net
Key Grip
Do Productions
Key Grip
Do Productions | SF Studios
Key Grip
Crave Pictures
Key Grip
Arcade Content | Netflix
Key Grip
Film Afrika | HBO Max
Dolly Grip
Moonlighting Films | Cinemax
Dolly Grip / Rigging Grip
Moonlighting Films | Sony Pictures
Dolly Grip
Out of Africa | 20th Century Fox
Dolly Grip
Film Afrika
Key Grip
Allan Gray’s grip career is defined by range: he has led grip teams on intimate character-driven films, large international features and premium television, while also taking on second-unit, splinter-unit and specialist rigging assignments where precise camera movement is central to the work.
His credits trace a clear combination of creative camera support and technical problem-solving, from Key Grip work on Silverton Siege, Moffie and The Boy Who Harnessed the Wind to rigging on Star Trek Beyond and Homeland. Allan brings a calm, solutions-focused approach shaped by extensive South African and international experience.
Long Form
Commercials
Long Form
Commercials
Long Form
Commercials
Blue Ice Africa | Sony Pictures
Key Grip
Mannequin Pictures | Quiver Distribution
Key Grip
Wolflight Films
Key Grip
First Pencil Productions | Netflix
Key Grip
Moonlighting Films
Rigging Grip — double banking
Silverton Siege Pty Ltd | Netflix
Key Grip
Film Afrika Entertainment | HBO Max
Key Grip — dailies
Moonlighting Films
Key Grip
Moonlighting Films | Cinemax / HBO
Key Grip — splinter unit
Moonlighting Films / Left Bank Pictures | YouTube Premium
Key Grip — second unit
Blue Sky Films / BBC Films | Netflix
Key Grip
Film Afrika Entertainment / Bonafide Films | BBC One
Key Grip
Asia Film Company
Key Grip
Filmworks Dubai | Paramount Pictures
Rigging Grip
Film Afrika Entertainment / Canal+ | Netflix
Key Grip
Moonlighting Films | Showtime
Rigging Grip
Kalahari Pictures / DNA Films | Lionsgate
Second-unit Key Grip